“The Monkey” & Every Upcoming Stephen King Movie & TV Show Coming Out In 2025 “The Monkey” & Every Upcoming Stephen King Movie & TV Show Coming Out In 2025
EDITORIAL             Feb 20,2025

"The Monkey" & Every Upcoming Stephen King Movie & TV Show Coming Out In 2025

News of the Week: First Look At Matt Damon In Nolan’s “The Odyssey” News of the Week: First Look At Matt Damon In Nolan’s “The Odyssey”
NEWS             Feb 20,2025

News of the Week: First Look At Matt Damon In Nolan's "The Odyssey"

Black History Month 2025: 7 Incredible Movies About The Black Experience In America Black History Month 2025: 7 Incredible Movies About The Black Experience In America
EDITORIAL             Feb 05,2025

Black History Month 2025: 7 Incredible Movies About The Black Experience In America

‘In Fabric’ Review: Three Reasons To See It

‘In Fabric’ Review: Three Reasons To See It

In the pantheon of killer inanimate object cinema (Bed Of The Dead/Rubber/Killer Sofa), Peter Strickland’s In Fabric is a sensually riveting standout, as form-fitting to horror’s salacious allure as it is deranged. Hinted by the film’s title, you’re in store for...

Black Widow – Teaser Trailer

Black Widow – Teaser Trailer

Release Date: May 1, 2020 Director: Cate Shortland Cast: Scarlett Johansson, Florence Pugh, David Harbour, Rachel Weisz, Robert Downey Jr., William Hurt, Ray Winstone, O-T Fagbenle, Michelle Lee, Olivier Richters Synopsis: Scarlett Johansson reprises her role as...

Just Mercy – Trailer #2

Just Mercy – Trailer #2

Release Date: January 10, 2020 Director: Destin Daniel Cretton Cast: Brie Larson, Michael B. Jordan, Jamie Foxx, O'Shea Jackson Jr., Rafe Spall, Tim Blake Nelson, Rob Morgan, Rhoda Griffis, Andrene Ward-Hammond, Drew Scheid Synopsis: A powerful and thought-provoking...

‘1917’ Review: Three Reasons To See It

‘1917’ Review: Three Reasons To See It

Another period World War I dramatization, you say? Sam Mendes’ 1917 transports viewers back to an April spring when French battlefields reeked of rotten death and gunsmoke. The catch? Mendes and cinematographer Roger Deakins exploit a “one-shot” aesthetic that tracks...

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