{"id":9754,"date":"2019-08-12T13:03:59","date_gmt":"2019-08-12T20:03:59","guid":{"rendered":"http:\/\/blog-proxy.atomtickets.com\/movie-news\/?p=9754"},"modified":"2019-08-12T13:03:59","modified_gmt":"2019-08-12T20:03:59","slug":"box-office-insider-hobbs-shaw-is-still-1-with-scary-stories-in-second-place-2","status":"publish","type":"post","link":"https:\/\/atomtickets.com\/movie-news\/box-office-insider-hobbs-shaw-scary-stories-app\/","title":{"rendered":"Box Office Insider: \u2018Hobbs &#038; Shaw\u2019 Is Still #1, With \u2018Scary Stories\u2019 In Second Place"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Each week on <\/span><span style=\"font-weight: 400;\">Atom Insider<\/span><span style=\"font-weight: 400;\">, we break down the box office numbers for all of the biggest films opening in theaters. This past weekend saw the wide release of many new films in the Top 10, but not a single one could topple last week\u2019s champ.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">This Week\u2019s Top Earner (For The Second Week In A Row) \u2013 \u2018Hobbs &amp; Shaw\u2019<\/span><\/h2>\n<p><i><span style=\"font-weight: 400;\">Fast &amp; Furious Presents: Hobbs &amp; Shaw<\/span><\/i><span style=\"font-weight: 400;\"> hasn\u2019t been doing great business for a <em>Fast and Furious<\/em> movie, but it held on to the #1 spot in its second week against an onslaught of new films. That said, it dropped 57.7% from last week (a big drop considering its already low opening), scoring only $25.4 million domestically despite playing in over 4,300 theaters.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Like we mentioned last week, this is iffy for the franchise, but far more impressive compared to other 2019 summer films, especially thanks to global markets. Worldwide, <\/span><i><span style=\"font-weight: 400;\">Hobbs &amp; Shaw <\/span><\/i><span style=\"font-weight: 400;\">has pulled in $332.6 million, which means it will likely finish its run as the fifth highest-grossing film in the franchise, just shy of <\/span><i><span style=\"font-weight: 400;\">Fast Five<\/span><\/i><span style=\"font-weight: 400;\">. Universal probably won\u2019t pump the brakes on more of these spinoff films, but they\u2019re probably glad the next few films in their lineup are planned to be mainline sequels.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Second Place\u00a0 \u2013 \u2018Scary Stories To Tell In The Dark\u2019<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">The box office has been a little less scary for the latest horror film from Lionsgate and CBS Films: <\/span><i><span style=\"font-weight: 400;\">Scary Stories to Tell in the Dark<\/span><\/i><span style=\"font-weight: 400;\">, which managed to outperform every other new wide release without any big-name stars attached (unless you count Guillermo del Toro as producer). It screamed to the tune of $20.8 million domestically, enough to make up most of its reported production budget after just one weekend.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The film is of course based on the popular children\u2019s book series from HarperCollins, which probably helped bring in fans familiar with the source material. For a CBS Film, this opening is only a little over half of <\/span><i><span style=\"font-weight: 400;\">Five Feet Apart <\/span><\/i><span style=\"font-weight: 400;\">from earlier this year, but over double the opening of <\/span><i><span style=\"font-weight: 400;\">Hell Fest <\/span><\/i><span style=\"font-weight: 400;\">from last year. Critics are into it, but audiences are a bit more mixed&#8230;which possibly means the film will only turn out to be a modest box office success.\u00a0<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">And Third\u00a0 \u2013 \u2018The Lion King\u2019<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Disney\u2019s live-action-styled animated remake finished its first month at the box office with $20 million domestically, just a 48% drop from last week. <em>The Lion King<\/em> now the third highest-grossing animated film of all time in North America, and at $1.3 billion worldwide, it\u2019s already the 12th highest-grossing film of all time. The film is now hot on the tails of the final <\/span><i><span style=\"font-weight: 400;\">Harry Potter <\/span><\/i><span style=\"font-weight: 400;\">film, and it has a real chance at entering the Top 5 films of all time, worldwide. What a wonderful phrase.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Rounding Out The Rest Of The Box Office<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Only two other films made over $10 million this weekend. First is <\/span><i><span style=\"font-weight: 400;\">Dora and the Lost City of Gold<\/span><\/i><span style=\"font-weight: 400;\"> (Paramount\/Nickelodeon) at #4, which underperformed big time: only $17 million domestically against a reported budget of $49 million. Ay dios m\u00edo. The film will hit target markets like Spain, Mexico, and Brazil later into the year, so we don\u2019t know for sure yet how Dora will fare internationally.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Once Upon a Time in Hollywood <\/span><\/i><span style=\"font-weight: 400;\">(Sony) dropped to #5 this week, but it only dropped 42% with $11.6 million. And after three weeks, it finally made over its reported $90 million budget with $108 million worldwide.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Every other movie in the Top 10 had similar box office returns and played in about 2,600 theaters or so, each, except for newcomer <\/span><i><span style=\"font-weight: 400;\">Bring the Soul: The Movie <\/span><\/i><span style=\"font-weight: 400;\">(Trafalgar), which landed at #10 despite only playing in 873 theaters.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The other two newcomers hitting the Top 10 were <\/span><i><span style=\"font-weight: 400;\">The Art of Racing in the Rain <\/span><\/i><span style=\"font-weight: 400;\">(Fox) and <\/span><i><span style=\"font-weight: 400;\">The Kitchen<\/span><\/i><span style=\"font-weight: 400;\"> (Warner Bros), which hit #6 and #7 respectively. Despite both films opening in at least 2,700 theaters, <\/span><i><span style=\"font-weight: 400;\">Art of Racing <\/span><\/i><span style=\"font-weight: 400;\">only made $8 million, and <\/span><i><span style=\"font-weight: 400;\">The Kitchen <\/span><\/i><span style=\"font-weight: 400;\">floundered with $5.5 million. Of the two, <\/span><i><span style=\"font-weight: 400;\">Kitchen<\/span><\/i><span style=\"font-weight: 400;\"> will likely be a flop considering its midsize budget ($37 million).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Last we have <\/span><i><span style=\"font-weight: 400;\">Spider-Man: Far From Home <\/span><\/i><span style=\"font-weight: 400;\">(Sony) and <\/span><i><span style=\"font-weight: 400;\">Toy Story 4<\/span><\/i><span style=\"font-weight: 400;\"> (Disney\/Pixar) hitting #8 and #9. Both films will likely fall out of the Top 10 next week, depending on how the next round of wide releases do (and there are more than a few). Of course, both films have had a strong couple months at the box office, so it\u2019s all just gravy at this point for their distributors.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">And They\u2019re Out<\/span><\/h2>\n<p><i><span style=\"font-weight: 400;\">Annabelle Comes Home <\/span><\/i><span style=\"font-weight: 400;\">(Warner Bros) finally checked into retirement, dropping from #10 to #0, because it was pulled from theaters completely after just six weeks. It ended its run at $219.4 million worldwide, the lowest of all the \u201cConjuring\u201d movies to date.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By contrast, <\/span><i><span style=\"font-weight: 400;\">Yesterday <\/span><\/i><span style=\"font-weight: 400;\">(Universal) is finishing its run like a champ. It fell from #6 all the way to #13 after six weeks. Just $124.9 million worldwide, but over half of that total is domestic, and its reported budget of $26 million keeps this film tuned to a profit.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">The Farewell <\/span><\/i><span style=\"font-weight: 400;\">(A24) surprised us all when it hit the Top 10 last week despite only being in limited release, but it fell off to #11 due to so many new films coming in, even though it gained almost double the theaters. No matter, the low budget film (estimated $3 million) has already earned $10.3 million domestically.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As we predicted last week, <\/span><i><span style=\"font-weight: 400;\">Crawl <\/span><\/i><span style=\"font-weight: 400;\">(Paramount) bowed out after just 4 weeks at the box office, but it made that time count with a decent pull of $58.6 million against a reported $13.5 million budget. And <\/span><i><span style=\"font-weight: 400;\">Aladdin<\/span><\/i><span style=\"font-weight: 400;\"> (Disney) finally reached its limit after a staggering 11 weeks at the box office, winding down to $1.03 billion worldwide.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That\u2019s it for this weekend. Check back with Atom Insider next week as we recap all the newest releases vying for the top of the box office.<\/span><\/p>\n<p><a href=\"https:\/\/atomtickets.com?ref=insidertickets\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7948\" src=\"http:\/\/blog-proxy.atomtickets.com\/movie-news\/wp-content\/uploads\/2019\/05\/Get-Tickets.png\" alt=\"get tickets\" width=\"200\" height=\"100\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Each week on Atom Insider, we break down the box office numbers for all of the biggest films opening in theaters. This past weekend saw the wide release of many new films in the Top 10, but not a single one could topple last week\u2019s champ. This Week\u2019s Top Earner (For The Second Week In [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":9629,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[59],"tags":[],"class_list":["post-9754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-app"],"_links":{"self":[{"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/posts\/9754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/comments?post=9754"}],"version-history":[{"count":2,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/posts\/9754\/revisions"}],"predecessor-version":[{"id":9756,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/posts\/9754\/revisions\/9756"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/media\/9629"}],"wp:attachment":[{"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/media?parent=9754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/categories?post=9754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/tags?post=9754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}