{"id":7628,"date":"2019-05-22T14:32:43","date_gmt":"2019-05-22T21:32:43","guid":{"rendered":"http:\/\/blog-proxy.atomtickets.com\/movie-news\/?p=7628"},"modified":"2019-05-22T14:32:43","modified_gmt":"2019-05-22T21:32:43","slug":"the-15-best-comic-book-movie-sequels-ranked","status":"publish","type":"post","link":"https:\/\/atomtickets.com\/movie-news\/best-comic-book-movie-sequels\/","title":{"rendered":"The 15 Best Comic Book Movie Sequels, Ranked"},"content":{"rendered":"<p>Blame\u00a0<em>X-Men: Days of Future Past\u00a0<\/em>on\u00a0<em>The Avengers<\/em>.<\/p>\n<p>Five years ago this weekend, the\u00a0<em>First Class<\/em> team of mutants teamed up with the OG crew lead by Hugh Jackman and Patrick Stewart in 20th Century Fox&#8217;s attempt to capitalize on Marvel&#8217;s team-up fever and box office success of Joss Whedon&#8217;s first\u00a0<em>Avengers<\/em> movie.\u00a0<em>Days of Future Past<\/em> effortlessly brought the classic Marvel comics storyline to life in a very action-packed and satisfying way, elevating the summer 2014 hit to rank among the best sequels the genre has ever produced.<\/p>\n<p>As\u00a0<em>Days of Future Past<\/em> celebrates its fifth anniversary, and with\u00a0<a href=\"https:\/\/www.atomtickets.com\/movie-news\/avengers-endgame-box-office-countdown\/\"><em>Avengers: Endgame<\/em> breaking all the records<\/a> at the box office, here are 15 of the greatest comic book movie sequels ever made.<\/p>\n<h2>15. &#8216;Blade II&#8217; (2002)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/fcCQ7xk8zzM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Blade (Wesley Snipes) is forced to team up with the very vampires he hunts in this gory, action-packed sequel from director\u00a0Guillermo del Toro. Sure, the script lacks the emotional resonance that dominates modern comic book movies, but del Toro makes up for it with several tense (and scary) set pieces, his signature approach to production design, some borderline Greek tragedy in the final moments, and a lots of Blade-vs.-vampire action.<\/p>\n<p>&nbsp;<\/p>\n<h2>14. &#8216;The Wolverine&#8217; (2013)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/Wzq6vRSgU78?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>For two-thirds of its running time, director James Mangold&#8217;s warm-up to 2017&#8217;s\u00a0<em>Logan\u00a0<\/em>is one of the best\u00a0<em>X-Men<\/em> movies ever. Wolverine is broken &#8212; not sprained &#8212; when we first meet him, which adds extra weight to bringing the Marvel character&#8217;s classic Japan storyline to the big screen. The film is deliberately more intimate in scale, grounded by emotionally-driven stakes and a brooding and vulnerable performance from Hugh Jackman. And that incredible fight inside and on top of a bullet train is worth the price of admission alone.<\/p>\n<p>&nbsp;<\/p>\n<h2>13. &#8216;X-Men: Days of Future Past&#8217; (2014)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/6acRHWnfZAE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>The\u00a0X-Men\u00a0take a page out of\u00a0<em>The Avengers<\/em>\u00a0playbook with this epic team-up that literally breaks the laws of physics to bring the\u00a0<em>First Class<\/em>\u00a0mutants together with their original X-Men movie counterparts. The result is a dark and engaging trip through time, with standout performances from\u00a0Hugh Jackman,\u00a0Patrick Stewart,\u00a0and\u00a0James McAvoy.<\/p>\n<p>&nbsp;<\/p>\n<h2>12. &#8216;Batman Returns&#8217; (1992)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/Too3qgNaYBE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Tim Burton&#8217;s dark as hell sequel to his 1989 blockbuster\u00a0is a beautiful mess. A noble misfire that, despite its faults, has aged better with fans. The Christmas-set psychoanalysis of Michael Keaton&#8217;s Batman is heavy in theme and light on audience-friendly set pieces that appeal to the matinee crowd, but <em>Batman Returns\u00a0<\/em>delivers a weirdly satisfying mix of macabre spectacle and pathos.<\/p>\n<p>The final product is less narratively satisfying than its 1989 predecessor, but it&#8217;s 100 times more interesting to watch. Especially Michelle Pfeiffer&#8217;s instantly iconic portrayal of the damaged-but-fierce Catwoman. We&#8217;ll take its brazen, non-cookie cutter approach over certain comic book movies&#8217; assembly-line feel any day.<\/p>\n<p>&nbsp;<\/p>\n<h2>11. &#8216;Iron Man 3&#8217; (2013)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/2CzoSeClcw0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><em>Iron Man<\/em>\u00a0<em>3<\/em> helped set the tone of future Marvel Cinematic Universe movies in ways that fans don&#8217;t really give the movie credit for. Its balance of snarky humor and ILM-fueled action scenes (that mid-air passenger rescue is an all-timer) serves as a sleight of hand of sorts as director and co-writer Shane Black disrupts the status quo by literally deconstructing Iron Man and Tony Stark to their most human, and heroic, parts.<\/p>\n<p>Upending Iron Man&#8217;s entire profile after the misfire\u00a0<em>Iron Man 2<\/em> and the MCU-changing hit\u00a0<em>The Avengers\u00a0<\/em>arguably set the stage for movies like<em> Winter Soldier<\/em> and\u00a0<em>Thor: Ragnarok<\/em> to push their heroes &#8212; and the MCU &#8212; out of their\u00a0comfort zones with their big creative swings. If only more movies had as strong a batting average as this one.<\/p>\n<p>&nbsp;<\/p>\n<h2>10. &#8216;Thor: Ragnarok&#8217; (2017)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/ue80QwXMRHg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>The best Thor movie by far,\u00a0<a href=\"https:\/\/www.atomtickets.com\/movies\/marvel-studios-10th-thor-ragnarok\/5500163\"><em>Thor: Ragnarok<\/em><\/a> hits the reset button on the stiff God of Thunder&#8217;s previous adventures and infuses this new iteration of the character with a pulse and sense of humor (Chris Hemsworth comedic timing is crazy good) that wasn&#8217;t there before. Director Taika Waititi became a household name by putting Thor and Hulk&#8217;s road trip movie through the lens of the filmmaker&#8217;s acerbic and deadpan sense of humor. And introducing Tessa Thompson&#8217;s Valkyrie and Cate Blanchett&#8217;s villainous Hela into the MCU are among the best things Marvel has ever done. (Along with casting Jeff Goldblum as The Grandmaster.)<\/p>\n<p>&nbsp;<\/p>\n<h2>9. &#8216;Superman II&#8217; (1981)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/jhpbNfAqbJc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;Kneel before Zod!&#8221; is just one of the many memorable moments in this engaging (albeit, at times, cheesy) sequel to director Richard Donner&#8217;s 1978 classic. <em>Superman II<\/em> finds Christopher Reeve&#8217;s Superman\u00a0struggling with the cost of loving the mortal Lois Lane as villains led by the Kryptonian General Zod use the very thing the Man of Steel cares about the most against him. From Gene Hackman&#8217;s love-to-hate Lex Luthor to the film&#8217;s climatic Metropolis showdown,\u00a0<em>Superman II<\/em>\u00a0still delivers more than three decades later.<\/p>\n<p>&nbsp;<\/p>\n<h2>8. &#8216;X2&#8217; (2003)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/KNIdceH7XOw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><em>X2<\/em>&#8216;s ambitious, emotionally-charged story and edge-of-your-seat action scenes make this sequel the\u00a0<em>Wrath of Khan<\/em> of X-Men movies. Our second trip to Xavier&#8217;s school finds Wolverine and company\u00a0forced to team up with Magneto&#8217;s Brotherhood of Mutants to stop the villainous Col. Stryker and his genocidal vendetta against mutantkind.<\/p>\n<p>The sequel continues the series&#8217; thematic explorations of prejudice and fear by weaving them through several &#8220;holy sh*!&#8221; set pieces, like a mid-air battle involving the X-Jet, several military fighter planes, and lots of tornadoes, courtesy of Storm. Nightcrawler&#8217;s introduction, teleporting through the White House to assassinate the president, is still one of the best scenes the series (or genre) has ever pulled off. A rare high point for director Bryan Singer, for sure.<\/p>\n<p>&nbsp;<\/p>\n<h2>7. &#8216;Captain America: Civil War&#8217; (2016)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/dKrVegVI0Us?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><em>Captain America: Civil War<\/em>\u00a0has moments of greatness &#8212; several, in fact &#8212; but not enough to qualify it as a great film. It falls short of the high bar Marvel set with\u00a0<em>The Avengers<\/em> or\u00a0<em>Winter Soldier<\/em>, but this &#8220;Avengers 2.5&#8221; does provide\u00a0Robert Downey Jr.\u00a0with one of his meatiest performances as\u00a0Tony Stark, as the once and future Iron Man dukes it out with Cap and half the Avengers roster.<\/p>\n<p><em>Civil War\u00a0<\/em>is a really good summer movie that suffers from a third-act revelation that lacks the plotting and set up necessary to make it truly pay off. The crazy-good action scenes &#8212;\u00a0<i>holy crap, that airport fight!<\/i>\u00a0&#8212; are perfect blockbuster eye candy, though, and\u00a0<em>Civil War<\/em> is a necessary stepping stone to\u00a0<em>Endgame<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<h2>6. &#8216;Avengers: Infinity War&#8217; (2018)<i><\/i><\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/6ZfuNTqbHE8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.atomtickets.com\/movies\/avengers-infinity-war\/198438\"><i>Infinity War<\/i><\/a>\u00a0is the epic first half of the Marvel Cinematic Universe\u2019s first decade of blockbusters and it does not disappoint. The Russo Brothers, working from a script by\u00a0<i>Civil War<\/i>\u00a0and\u00a0<i>Winter Soldier<\/i>\u00a0scribes Christopher Markus and Stephen McFeely, make juggling the 20-plus ensemble cast effortlessly as Thanos (Josh Brolin) hunts down the last of the Infinity Stones he needs to restore balance to the universe.<\/p>\n<p>Brolin delivers a fully fleshed-out performance behind layers of motion capture, as the cost of Thanos\u2019 life mission has consequences that impact every one of our major characters. Sure, we know that The Snap doesn\u2019t\u00a0<i>really<\/i>\u00a0kill our favorite heroes, but that doesn\u2019t prevent\u00a0<i>Infinity War<\/i>\u00a0from succeeded at tugging on our heartstrings while keeping us at the edge of our seats.<\/p>\n<p>&nbsp;<\/p>\n<h2>5. &#8216;Avengers: Endgame&#8217; (2019)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/HxdlFQ4feAY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>At three hours,\u00a0<a href=\"https:\/\/www.atomtickets.com\/movies\/avengers-endgame\/284981\"><em>Avengers: Endgame<\/em><\/a>\u00a0feels like Marvel has packed in an entire season\u2019s worth of story and character into one summer blockbuster. The end result is a drama hiding out in a comic book movie about gods and talking, machine gun-toting raccoons. It\u2019s a movie about grief and loss \u2014 about how the two work to help us pick up the pieces just in time to remember what it takes to be a hero, or \u2014 in these heroes\u2019 case \u2014 what it means to be human.<\/p>\n<p>All of the Marvel hallmarks are there: Comedic beats so funny, you\u2019re laughing into the next scene; exceptional special effects grounded on the backs of relatable characters and great actors; and a generous and earned subversion of expectation. You\u2019ve never seen a comic book movie \u2014 or summer movie \u2014 like this before, as directors Joe and Anthony Russo and screenwriters Stephen McFeely and Christopher Marcus literally reach back through the Marvel Cinematic Universe to tie up over a decade\u2019s worth of stories and characters while also setting up Marvel\u2019s future. Nothing is left on the table, and everyone gets the exact amount of whatever bit of business they need to deliver a satisfying \u2014 and heartstring-tugging \u2014 conclusion to this part of the MCU. Scarlett Johansson, Robert Downey, Jr., Chris Evans, and Chris Hemsworth deliver some of their best work in the series \u2014 <a href=\"https:\/\/www.atomtickets.com\/movie-news\/black-widow-hair-and-signs-of-depression-in-endgame\/\">especially MVP Johansson<\/a>. At the end of the movie, fans will only be disappointed that they can\u2019t immediately rewatch it.<\/p>\n<h2>4. &#8216;Captain America: The Winter Soldier&#8217; (2014)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/7SlILk2WMTI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>It\u2019s hard to imagine that this is the Russo Brothers&#8217; first action movie or their first Marvel movie; they pull off\u00a0<i>Winter Soldier<\/i>\u00a0with such a deft and effortless handling of the material that it feels like they\u2019ve spent a career doing this.<\/p>\n<p><i>Winter Soldier<\/i>\u00a0is Marvel\u2019s riff on\u00a0<i>Three Days of the Condor<\/i>, a spy movie\/conspiracy thriller that finds Steve Rogers on the run from the very government he has vowed to serve. With SHIELD revealed to have long been infiltrated by HYDRA at key levels of power, the only people Cap can trust are Black Widow and Falcon (Anthony Mackie), as the three embark on an action-packed road trip to get answers, stop the bad guys, and save the world. Along the way, Bucky Barnes (Sebastian Stan) resurfaces to complicate the hell out of Cap\u2019s efforts to prevent three Helicarriers from wiping out potential threats (sort of like Marvel\u2019s version of\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Pre-crime\">pre-crime<\/a>).<\/p>\n<p>From Nick Fury outrunning and outgunning a HYDRA kill squad during a high-speed car chase, to Cap\u2019s iconic elevator fight,\u00a0<i>Winter Soldier<\/i>\u2019s set pieces are exceptional. Some of the best the genre has ever produced. Arguably, Marvel Studios has yet to top them.<\/p>\n<p>&nbsp;<\/p>\n<h2>3. &#8216;Logan&#8217; (2017)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/Div0iP65aZo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>James Mangold&#8217;s Oscar-nominated swan song to Hugh Jackman&#8217;s Wolverine is an R-rated western hiding out within some of the most successful IP ever. Set years after his last movie, Logan finds himself on the downslope of whatever life he has left &#8212; suffering from adamantium poisoning and retired from the X-Men life in a world where most mutants have been wiped out and it&#8217;s been years since a new mutant was born. He&#8217;s content taking care of a dementia-suffering Charles Xavier (an Oscar-worthy Patrick Stewart) and nursing his many physical and emotional scars when X-23 (newcomer and scene-stealer Dafne Keen) shows up with mutant-hunting bad guys on her tail.<\/p>\n<p>A moving, tragic adventure unfolds as\u00a0<em>Logan<\/em> subverts expectations and the genre at large to deliver the type of movie fans and film students should and will be studying for years.<\/p>\n<h2>2. &#8216;Spider-Man 2&#8217; (2004)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/DsAnGDUHMO4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Sam Raimi&#8217;s stirring follow-up to his landmark smash\u00a0<em>Spider-Man<\/em> is an introspective blockbuster; it has all the big action and trailer-friendly beats but is more interested in the moments where it&#8217;s just two people talking in a room instead of them fighting atop trains or along the sides of buildings. (Though those moments are exceptional and borderline iconic.)<\/p>\n<p>This sequel is relentless when it comes to not giving Tobey Maguire&#8217;s Peter Parker a break, as Raimi executes an exceptional piece of comic book movie entertainment that perfectly balances his playful, <em>Evil Dead<\/em> sensibilities with the Marvel brand to illustrate that trademark &#8220;typical Parker luck.&#8221; Before\u00a0<em>The Dark Knight<\/em>, this was the best comic book movie ever made. For some fans, it still is.<\/p>\n<h2>1. &#8216;The Dark Knight&#8217; (2008)<\/h2>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/SBTCtb30q2E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Christopher Nolan&#8217;s epic exploration of the cost of being a hero, in a world where those heroics inspire both the best and worst in people, forever changed things (to quote the Joker).\u00a0<em>The Dark Knight<\/em> raised the bar for what filmmaking in this space can and must do.<\/p>\n<p>Like <em>Batman Begins <\/em>before it,\u00a0<em>TDK <\/em>proved that the superhero movie genre can be elevated to Oscar-worthy status, thanks in large part to the late\u00a0Heath Ledger&#8217;s Oscar-winning turn as the Clown Prince of Crime. The film contains many scenes &#8212; that opening bank heist, Joker&#8217;s introduction &#8212; that are forever etched upon pop culture. It&#8217;s held up for more than a decade and will likely continue to do so for decades to come.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Blame\u00a0X-Men: Days of Future Past\u00a0on\u00a0The Avengers. Five years ago this weekend, the\u00a0First Class team of mutants teamed up with the OG crew lead by Hugh Jackman and Patrick Stewart in 20th Century Fox&#8217;s attempt to capitalize on Marvel&#8217;s team-up fever and box office success of Joss Whedon&#8217;s first\u00a0Avengers movie.\u00a0Days of Future Past effortlessly brought the [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":7721,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[50],"tags":[40,37],"class_list":["post-7628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorial","tag-featuredpage","tag-news"],"_links":{"self":[{"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/posts\/7628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/comments?post=7628"}],"version-history":[{"count":14,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/posts\/7628\/revisions"}],"predecessor-version":[{"id":8175,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/posts\/7628\/revisions\/8175"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/media\/7721"}],"wp:attachment":[{"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/media?parent=7628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/categories?post=7628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atomtickets.com\/movie-news\/wp-json\/wp\/v2\/tags?post=7628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}